plot's questions - English 1answer

328 plot questions.

There just isn't information about this on the internet (at least that I could find), so I'm here. A few specific questions: how many team members should there be? Should they all be main characters, ...

I'm writing a plot for a tabletop game, and one of my players is running a character who was taken from her home at a very young age. (it's her earliest memory) She was raised from that point on by an ...

There are definite advantages to writing comprehensive character maps, but one downside that I've found is that when a character is fully fleshed out, she/he tries to take on a life of her/his own and ...

How should I approach plotting a compelling story, i.e. one aimed at changing the way people think and behave (rather than just being "art for art's sake")? I want to write a novel or collection of ...

So the story is about David Demarkus in 1895 goes to the foreign Yahridge in search of the philosopher stone. The city is full of alchemy where people can transmute matter in items of there choice. In ...

Alright, I can't figure out how to write a scene. I have a character that has never revealed the fact that she can turn into animals, not even to her family. If the character is planning to tell her ...

So, we established that we can lose many more valuable things other than our life, and to make stakes out of them effectively, we have to make it nothing personal. One thing we haven't discussed is ...

I have multiple characters who do things... over and over again, in different timelines. But I have no idea how to reveal this to the reader. Any suggestions?

Okay, so I have a weak motivation for a god character whose son (whom he tried to prevent his birth) seems like he is an apt tool to be used for a plot that will only be brought into fruition about ...

My story happens as a result of one of the main characters getting murdered. I'm wondering how to get readers to care about someone who's not even in the story (as far as the readers know anyway) or ...

I read The Seven Basic Plots by Christopher Booker (yes, it was so heavy that I had to cut into two books just to be able to carry it around) and I just can't believe that the number of plots we have ...

Here's a summary of the plot: The main character goes to a mountain to visit his half-sister. He hasn't seen her in years. She went there to undergo a spiritual healing. Later he discovers her ...

I'm working on a teen romance. The event is the high school play, the "Sound of Music," in which there are two main contestants for the role of Liesl. They are designated "A" and "B," because those ...

One of the hallmark features of the television show Lost was the way in which each character's backstory was rendered. The narrative started out in present day and depicted characters making certain ...

I hope this isn't too general. I wanted to ask for advice on making it unclear which characters will survive to the end. The first arc of the story involves a lot of characters, more than 12, but only ...

I've been brainstorming and working on worldbuilding, structure, characters and overall story development stuff for about 4 years now. Basically spending alot of time brainstorming strong, well ...

Hollywood movies are a good example of this, but also many books feature the rule. When the plot revolves around life and death situations, the first to die are the characters with least development. ...

When writing a short-story to highlight a certain truth, is it typically a better practice to construct a point to exemplify through the short-story? In other words, construct the characters, plot ...

My protagonist works in a pharma company and I really don't have a clue about how they work, what kind of a life they live and all. It is required for the plot to make him work in a company which ...

I am working on my debut story. In my freetime, I write another story that will be the start of a series. The series consists of Steampunk fairytale retellings. Lately, I have been worrying that it ...

It seems that a lot of authors want their heroes to be marked in a special way. It is not enough that these protagonists are going to be heroes, no; they seem to require having a mark that makes them ...

Can it just pop out of nowhere, or does it have to be something that was slightly mentioned before that only expert readers would catch?

I am a "reread reader" - that is, I like to read the same book more than once. The books I have the most fun reading again are the ones that effectively foreshadow what comes later in the book. This ...

In the BBC Sherlock fandom there are many lively discussions about how a lot of the story takes place in subtext: Person C is a "mirror" for Protagonist A, water symbolizes emotions, drinking tea ...

My main characters finally met. Officially... They still don't know who the others are, and are from different cultural backgrounds, too different for the others to seem normal. Although they are ...

My question is if you run into characterization vs. plot conflicts, or unlikeable characters, do you do major changes to your characters to fit the plot or do you make major changes to your plot to ...

I have googled this question several times but I'm just not clear on the answers I'm getting. For example, I know that screenplays/plays/books such as A Streetcar Named Desire, Enough Said, The Spare ...

There is an answer here from FraEnrico which is the cause for my question: What is the difference between character-driven stories and plot-driven stories?. Here he explains a bit of what an "arena ...

You see this a lot in fantasy fiction, where everyone on the planet (and sometimes beyond) speaks the same language, even though it makes absolutely no logical sense for them to have any knowledge of ...

Is it okay to have two characters who had an argument to patch things up offscreen, or do readers explicitly need to see how they made up? None of the two characters in question are the protagonist, ...

Context: In my question How did Olaf know?, I asked about a twist in the TV series A Series of Unfortunate Events, adapted from a book series of the same name. My understanding: Twists, whether good (...

I need help with the concept of my story: My protagonists live in a mild dystopia. Think of your own country today ;-) They have the opportunity to kill about 20 persons, which will cause a ...

I am writing a novel in which characters do bad things to one another. For example, I have recently been struggling over a scene of domestic violence. Essentially, a husband hits his wife, after the ...

I've written a fiction and the way my characters are coming together and forming a bond seems way too coincidental to me. A lady lives in the first floor while her tenant, a guy, lives in the ...

Star Wars IV: We never really get to know Aunt Beru and Uncle Owen, and so when they're burned to a crisp, little pieces of human toast, it's horrific but yeah OK. Not as horrific as if we saw Obi Wan ...

Let's say you're writing super hero fiction. The hero of your story is struggling against the villain, but suddenly awakens a power that allows him to best the bad guy! Problem: you're unsure of how ...

I'm currently working on a book with two protagonists and switching the perspective between them. They have quite different plotlines, but actually they're the same person. English is not my first ...

Let's say you have two sides who are basically no better than the other. Both are criminals with no redeeming qualities, and both are at war. Think COBRA and HYDRA going to war. They both have plans ...

Preface: there are three main characters in the story, all three of them in their mid twenties. Two women and one man. For simplicity, lets call them Jane, Sally and John. Jane and Sally have been ...

I plan to write a series of books set in the same universe, with a major plot about war, destruction, murder, killing, love, betrayal etc. But I am having problem getting the big view of my universe ...

In studying writing, I've learned that you need to give your protagonist something - usually a quality - that makes the reader want him to win. Without this quality, the reader doesn't care what ...

I saw this in another answer there are considered to be only seven or so actual plots anyway Is this true? Is it like plots are generalized into a couple of types or forms? Where can I read more ...

On my research I stumbled upon this question and it matches somehow with my question, that lingers in my head for a long time. In the mentioned question I read the common thinking is: Switching ...

So, I don't know if any of you have heard of Dinotopia by James Gurney, but it's written in a format with large pages, and lots of illustrations: While it is not exclusively a children's book, and ...

I was asking myself this question while writing a novel that don't imply any death or even really dramatic event ! The novel tells about the main character's strugglings and conflictuous relationships,...

I've been delving a lot into the the crime investigation genre, and at first I thought "Simple, just start of with Who, What, Where, When, Why and How and you've got yourself a story!" but I quickly ...

I'm looking for books, essays and articles on plotting mystery/detective/investigation stories (and novels). The type of story I'm aiming for is in the vein of Sherlock Holmes, Agatha Christie, or ...

TL;DR: How much time and development is necessary for a character I intend to kill off and replace with a second character so that both feel important to the narrative? I've looked over this a bit, ...

I have a character in my story who has the habit of making philosophic observations about life and the functioning of things, or his opinion/vision about something. Although most of his observations ...

Authors need to understand which scenes in their stories to cut in order to help the reader enjoy the story best. Knowing what works for the reader and what does not is a key skill for authors. ...

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